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Film Analysis: Band Frontman Jason Williamson Assumes Role in Critical Examination at Ecstasy Generation Era

Produced by Bristol sound co-founder the musician-producer, this scabrous though undernourished first film turns a sceptical eye on 90s rave culture. Venal drug user David (Marc Bessant) first robs an unconscious dealer, then in another flashback tries to burgle his own family home. In no time, he's overturned in the wreckage of his car in a woodland – and subject to the angry eye of the Poacher (vocalist Jason Williamson). Refusing to extricate David, with impatience toward townies, he is broken Britain embodied: “You’re one of those noisy cunts from up on the heath.”

A Shaky Start and Darkly Funny Duel

Game gets off to a shaky start, spending too long on pedantically chronicling David’s attempt to extricate himself from his safety harness, while awkwardly transitioning into past scenes of his everyday life. The central theme – that the ecstasy generation were mainly focused on themselves – is clearly conveyed. But these brief episodes are too thin to adequately prepare us for what to expect when the Woodsman turns up, fuming after David kills his dog. Still, a grimly amusing standoff takes hold – David desperate to escape; the Woodsman denying his container of cider, intent on dousing him instead in embittered discourse. Williamson, exuding heavy threat in the role, is reminiscent of Michael Smiley.

Stylish Imagery and Music Video Vibe

Just a single key story turn, but it leads to a hilariously staged chaotic run on the woodland paths that dips close to folk horror. Director John Minton finally gets to go all in with his showy imagery: where he was hunkered down doing impressionistic closeups of bugs in headlights in the early stages, he now lets rip with the full psychedelic grand display, accompanied by a wild organ version of Ravel’s Boléro. The movie resembles an extended promo than a complete narrative, but there’s enough bold visuals to suggest that Minton could emulate Jonathan Glazer, Garth Jennings and others into making the leap from the UK video industry.

Game releases in UK and Irish theaters from 17 November.

Written by

Donna Brown

Elara is a passionate theater critic with over a decade of experience covering Austrian stages, known for her insightful and engaging writing style.

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